A neo-aesthete of Belgian postmodern photography, Eric Ceccarini explores the photographic medium through a dialogue with painter Christophe de Fierlant, using the plasticity of a model who becomes an active participant in her pose, all illuminated by natural daylight.
The Painters Project and the Venus Safari project are striking examples of a post-media artistic practice.

For the past twenty years, Eric Ceccarini has evolved from an aesthetic of reassuring beauty to an aesthetic of the sublime that elevates.
Beauty is still present, of course, but his innate sense of light, his collaborative genius that calls forth the truth of his models and the creativity of his collaborators, have lifted photography from the mere capture of reality to the revelation of truth — from the act of shooting to the creation of true Art.